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“Political language…is designed to make lies sound truthful and murder respectable, and to give an appearance of solidity to pure wind.”
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From defunct “Unpop Art” site, run by Adam Parfrey and Boyd Rice. Mae would have been apoplectic at having her work disseminated by creatures like Parfrey.
COMMENT: On Saturday, July 25th, Dave was privileged to be joined by two guests, both of whom gave their views of the late Mae Brussell. Mae was a close personal friend of Mr. Emory’s and a profound professional influence.
Dave noted at the top of the talk that it is, past a point, impossible for him to be altogether objective about Mae. She died in 1988 and her legacy has been badly muddied.
Brad heard about Mae after she died, gaining knowledge about her from having listened to a radio program in Canada.
“Recluse” is a researcher and podcaster, who heard about Mae through one of the milieux that we examine in the discussion—that of Feral House. (Mr. Emory recently did a three-part series about Feral House and its Nazi fellow-traveling publisher Adam Parfrey. It should be noted that Parfrey passed away in 2018. Feral House was taken over by his sister. Mr. Emory knows nothing about her politics and this program should not be taken as an indictment of her or her operations with the business.)
Recluse highlighted what might be termed a relativistic milieu in which Mae was presented, one which featured people loosely associated with people like Kerry Thornley, one of Oswald’s buddies in the Marine Corps and suspected by New Orleans District Attorney Jim Garrison of being involved with the assassination of JFK.
Points of Discussion and Analysis Include: The genesis of the meme that Mr. Emory brought about the demise of the Mae Brussell Research Center with a book published by the Unification Church, as well as the meme’s perpetuation by a mentally-disturbed individual published by the Nazi-fellow-traveling Adam Parfrey; The importance of Mae’s work on mind control; The importance of Mae’s work on Nazi involvement with the JFK assassination; Mae’s forecasting of the rise of fascism in America; Mae’s unfortunate accessing of the material by Lyndon LaRouche; Mr. Emory’s view that that was a deep flaw in Mae’s work and accompanying opinion that it was personally and professionally tragic that some chose to disqualify her for that shortcoming; The late Kevin Coogan’s work on Parfrey/Feral House; Mae’s unfortunate affinity for the hippie and Haight Ashbury milieu; Mae’s eventual association with individuals from the far right; Mr. Emory’s warning given to Mae on July 4, 1986 that if she didn’t dissociate herself from those figures, she would die of one of those national security cancers she was talking about; Mae’s eventual death from cancer and her expression of wonderment at the exposure Dave got for her work in the Silicon Valley; Mae’s assertion that the late Paul Krassner (who was financed, in part by Jeffrey Epstein) ripped her off for money they were going to use to start a conspiracy newsletter; Krassner’s association with the Nazi-linked Feral House; Krassner’s penchant for rumor-mongering; Discussion and analysis of Mae’s theories about Fritz Kraemer; The importance of Mae’s theories about what she called “The California Violences;” Dave’s discussion of the vitally important book Chaos by Tom O’Neill; Mr. Emory’s recounting of Mae’s discussion of a key aspect of Clarence Lasby’s Project Paperclip, discussing Nazi scientists’ intention of building space mirrors that could focus the sun’s rays on the earth to produce devastating effects; Dave’s discussion of a recently announced project to send thousands of orbital mirrors into space; Dave’s carrying forward of Mae’s work about “The California Violences.”





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